The Noonday Sun

Emacs outshines all other editing software in approximately the same way that the noonday sun does the stars. It is not just bigger and brighter; it simply makes everything else vanish.

Neal Stephenson, In the Beginning was the Command Line (1998)

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We do bones

Her adept said: “I’ll keep it off you. Nav, show them what the Ninth House does.”

Gideon lifted her sword. The construct worked itself free of its last confines of masonry and rotten wood and heaved before them, flexing itself like a butterfly.

“We do bones, motherfucker,” she said.

Tamsyn Muir, Gideon the Ninth

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Emotional Consequences of Broadcast Television

There is skill to it. More importantly, it has to be joyful, effortless, fun. TV defeats its own purpose when it’s pushing an agenda, or trying to defeat other TV or being proud or ashamed of itself for existing. It’s TV; it’s comfort. It’s a friend you’ve known so well, and for so long you just let it be with you, and it needs to be okay for it to have a bad day or phone in a day, and it needs to be okay for it to get on a boat with LeVar Burton and never come back. Because eventually, it all will.

Abed Nadir, Community S06E13 “Emotional Consequences of Broadcast Television”

Catch-22

“You mean there’s a catch?”

“Sure there’s a catch,” Doc Daneeka replied. “Catch-22. Anyone who wants to get out of combat duty isn’t really crazy.”

There was only one catch and that was Catch-22, which specified that a concern for one’s own safety in the face of dangers that were real and immediate was the process of a rational mind. Orr was crazy and could be grounded. All he had to do was ask; and as soon as he did, he would no longer be crazy and would have to fly more missions. Orr would be crazy to fly more missions and sane if he didn’t, but if he was sane, he had to fly them. If he flew them, he was crazy and didn’t have to; but if he didn’t want to, he was sane and had to. Yossarian was moved very deeply by the absolute simplicity of this clause of Catch-22 and let out a respectful whistle.

Joseph Heller, Catch-22

The Gell-Mann Amnesia Effect

Briefly stated, the Gell-Mann Amnesia effect is as follows. You open the newspaper to an article on some subject you know well. In Murray’s case, physics. In mine, show business. You read the article and see the journalist has absolutely no understanding of either the facts or the issues. Often, the article is so wrong it actually presents the story backward—reversing cause and effect. I call these the “wet streets cause rain” stories. Paper’s full of them.

In any case, you read with exasperation or amusement the multiple errors in a story, and then turn the page to national or international affairs, and read as if the rest of the newspaper was somehow more accurate about Palestine than the baloney you just read. You turn the page, and forget what you know.

Michael Crichton

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We are not pawns of some scripted fate. It’s the invisible ties we forge that bind us.

Robin, Fire Emblem: Awakening

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Fairy tales are more than true: not because they tell us that dragons exist, but because they tell us that dragons can be beaten.

Neil Gaiman, Coraline

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